![]() ![]() ![]() Unless I’m doing a trio format with Al Jarreau or I’m using an acoustic piano and a real suitcase Rhodes, my main Rhodes is the Scarbee library. Sure-KS is a little more perfect solo'd.but, in mix context, I think I'd be hard pressed to call it better. I just mixed some old tracks I did with the Kronos into a tube preamp/EQ.and have things up now that are Keyscape. ![]() If they'd had the Grandstage then, I'd have bought that instead-I don't need the workstation and sampler and such-it was just the best EP digital piano around. It's literally WHY i bought the Kronos years ago. So, if you need a category of "best in hardware". Seems like a a lot of the modelers do the opposite-using more sine waves as the sustain with little samples for the attack and noises. Funny thing is-I think they do mostly the opposite of others-they stream samples for the sustain and model the attack so you can make all the little tweaky adjustments like tine width and stuff-get that touch playability, but with the realism of the sustain. I didn't mention earlier.but, since modeling things get mentioned, I'll note that Korg's Kronos/Grandstage EP1 engine does a nice job as a hybrid of samples or a models. ![]()
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